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Richard C. Sha IMAGINATION AND SCIENCE IN ROMANTICISM (Johns Hopkins, 2018) xi + 327 pp. Reviewed by James Robert Allard on 2023-03-31 Romanticism and Science |
We have long understood that certain key terms like "nature" and "revolution," to cite only two examples, are at home in a variety of seemingly disparate texts and contexts in the Romantic Century, even as they often prove frustratingly difficult to define or circumscribe in any meaningful way. Click here to read the full review. |
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| | Beth Lau, Greg Kucich, and Daniel Johnson, eds. KEATS'S READING / READING KEATS: ESSAYS IN MEMORY OF JACK STILLINGER (Palgrave Macmillan, 2022) xxvi + 362 pp. Reviewed by Karen Swann on 2023-03-20 Romantic Poetry |
Reading Keats means reading with eyes and ears open to Keats's reading--reading that inspired his first known poem, "Imitation of Spenser"; his many poems about the experience of books ("On First Looking into Chapman's Homer," "On Sitting Down to Read King Lear Once Again"); his poetic celebrations of other poets ("To Lord Byron," "Lines on Seeing a Lock of Milton's hair," "To Homer"); and his translations or adaptations of already-told tales (Isabella, Lamia, the Hyperion poems). Click here to read the full review. |
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| | Carmen Faye Mathes POETIC FORM AND ROMANTIC PROVOCATION (Stanford, 2022) xiv + 245 pp. Reviewed by Stephen Tedeschi on 2023-02-13 |
What happens when a poem provokes us? What can such provocations reveal about the nature of poetry, affect, and the self? In this book Carmen Faye Mathes shows how Romantic-period poets manipulate poetic form to provoke specific affective responses in their readers and how they think these provocations work. Click here to read the full review. |
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